Analysis of Abbas Kiarostami’s Ten
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film studies
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published 30/06/2008
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SummaryA car may be the most inconvenient and difficult setting for a film. I made a sixteen-minute movie which took place almost entirely in a car, and I ended up at one point crying from the frustrations. The three actors and I didn’t leave so much space left for the camera, and so the entire process was pretty claustrophobic. A car contains, it bottles up emotions, variation, and open-mindedness. Ten (2002) is a film that works well because instead of combating these elements as I had done, it uses them instead. Abbas Kiarostami is no stranger to using a car in his films; as he says in Ten On 10 (2004), it is his favorite location. But unlike his other films that have used a car extensively, Ten takes place exclusively from within the car.
Table of Contents
- Abbas Kiarostami is no stranger to using a car in his films.
- Location.
- Camera Placement and Use.
- Reality and Fiction.
- Voyeurism.
- Kiarostami said that after making this movie he will never make another film using 35mm.
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