«Appalachian music. Usually paired with the image of hicks on a dilapidated porch in West Virginia. To some Americans, Appalachian music could seem to be a genre of simple minded folk songs from a poor town in the southern mountains of North America....» Document abstract
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10 word format
Language : english
arts and art history
research papers
date published
19/02/2008
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SummaryAppalachian music. Usually paired with the image of hicks on a dilapidated porch in West Virginia. To some Americans, Appalachian music could seem to be a genre of simple minded folk songs from a poor town in the southern mountains of North America. Some people may simply think of the Deliverance theme song, met by the image of a handicapped child playing his banjo in the trails of Appalachia. What most people do not think about is the significance that Appalachian music plays in most of the music America listens to today. This music has influenced many other genres, including Rock & Roll, Classical and even Punk, and especially what we know today as urban folk.
Table of Contents
- Where is Appalachia?
- History.
- How music was used within Appalachian culture.
- Characteristics od Appalachian music.
- Instruments.
- Notables of the genre - past and mordern day contributors.
- How Appalachian music is relevant to our American culture then and now.
«Ever since the creation of the first motion picture, there have been numerous debates over the “effectiveness” of a vast multitude of movies. The term effectiveness is a very broad expression and can be used to cover a huge variety of areas. On a...» Document abstract
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4 word format
Language : english
film studies
presentation
date published
18/02/2008
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SummaryEver since the creation of the first motion picture, there have been numerous debates over the “effectiveness” of a vast multitude of movies. The term effectiveness is a very broad expression and can be used to cover a huge variety of areas. On a generic basis, did it make the viewer exert a certain emotion, laughter or tears; did it outrage the viewer; did it leave you thinking? Each of the above questions can be used to rank the effectiveness of any given movie. There are movies, however, that when viewed can evoke every possible emotion, outrage and teach you valuable lessons at the same time, and all around leave a lasting impression in the minds of those watching with both negative and positive connotations. In my generation, Larry Clark is a director that is renowned for creating such films. In his 1995 eye-opener, “KIDS”, Clark directs a movie that is the best example of this phenomenon I have seen. “KIDS” is a movie that has the capability of making you cry, laugh, become extremely angry, grow curious, etc. The fact that this movie was an effective one goes without question. It is a movie that after watching it for the first time is capable of lingering under your skin for a long time. The real question is what kind of effect does the movie actually have after it is viewed.
Table of Contents
- Immediately following the release of this film, the critics were split.
- In order to properly argue my points, I believe an extremely brief plot summary is necessary.
- I do not quite understand how any critic can call this film a realistic interpretation of mislead youth in modern day America.
- With all that being said there was one thing I did appreciate about the production.
- The fact that The New York Times called this film a 'wake-up call to the world' is something that baffles me.
«Jonathan Demme's 1991 film The Silence of the Lambs centers on a young FBI trainee’s attempts to catch a deranged serial killer before he kills again. Clarice Starling is a young woman determined to rise through the ranks of the male FBI. Already at...» Document abstract
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5 word format
Language : english
arts and art history
presentation
date published
09/02/2008
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level : General public
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SummaryJonathan Demme's 1991 film The Silence of the Lambs centers on a young FBI trainee’s attempts to catch a deranged serial killer before he kills again. Clarice Starling is a young woman determined to rise through the ranks of the male FBI. Already at a social disadvantage due to her sex, she must push against the glass ceiling while simultaneously searching for an elusive serial killer who steals the skin of his victims. Jame Gumb, the serial killer Buffalo Bill, is a sexually confused male who appropriates the skins of women so that he can wear them, in essence becoming a woman. Not surprisingly given these thematics, the film brings gender roles heavily into question. In order for Clarice to be taken seriously as an FBI agent, and for that matter to catch Gumb, she must exude masculine professionalism and toughness. This creates a degree of confusion within the male gaze. It is usual for the woman in film to be the object of the male spectator’s gaze: it is also standard for men to identify with a male protagonist. But in this film the audience is given neither a solid male role to identify with nor a solid female role to gaze at. What we are presented with instead are two theoretical transvestites, and a consequent confusion of whom the subject is and who is the object of the film. By the end of the film, Jame Gumb and Clarice Starling have both been sexually inverted, and the audience identifies with the female-turned-male role of Clarice over the male-turned-female role of Gumb. The true confusion lies within the character of Jame Gumb and his own literal grapple with sexuality.
Table of Contents
- The first thing the audience sees of the elusive Buffalo Bill killer is his eyes.
- In a typical slasher film, scenes of the actual act of murders are represented.
- The opening credits of the film feature Clarice Starling running an obstacle course at the FBI training center.
- In the course of the film, Clarice Starling's sexual identity is not only concealed.
- It is also a shared masculinity, materialized in ‘all those phallic symbols?.
«A young boy is standing in a dark, subway tunnel with a can of spray paint in his hand. His intentions are clear. Instead of being traditional and painting at home, he is using the world as his canvas. Vandal or not, he is still an artist. Even...» Document abstract
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4 word format
Language : english
arts and art history
research papers
date published
06/02/2008
review : not yet assessed
level : General public
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SummaryA young boy is standing in a dark, subway tunnel with a can of spray paint in his hand. His intentions are clear. Instead of being traditional and painting at home, he is using the world as his canvas. Vandal or not, he is still an artist. Even though he may just paint his name on the wall, it is still art to some degree.
Graffiti has been classified as a form of vandalism and not as an art for several decades. Rebellion against authority and public exposure of their works are reasons why teenagers and adolescents are attracted to the art, from gawking at it to taking up the art themselves. However, the reputation given to this “street art” has never been a positive one. When graffiti does not deface public property, could it not be just as fine as any other art? Graffiti artists use all the elements of art that painting, sculpture, and other art mediums do and the different styles and techniques associated with graffiti would easily classify it as a form of art.
Graffiti has been classified as a form of vandalism and not as an art for several decades. Rebellion against authority and public exposure of their works are reasons why teenagers and adolescents are attracted to the art, from gawking at it to taking up the art themselves. However, the reputation given to this “street art” has never been a positive one. When graffiti does not deface public property, could it not be just as fine as any other art? Graffiti artists use all the elements of art that painting, sculpture, and other art mediums do and the different styles and techniques associated with graffiti would easily classify it as a form of art.
Table of Contents
- Graffiti has been classified as a form of vandalism.
- The many forms of graffiti that exist.
- It fits the criteria of a form of art.
- Feelings such as hate or happiness and joy are all displayed.
- The beginner artists.
- The only problem with graffiti being exhibited in galleries.
- Billions of dollars are spent each year towards cleaning the streets.
«Kool DJ Herc is a Jamaican American musician and producer, who is credited as a pioneer of hip-hop during the 1970s as a result of his trendsetting musical technique and influence on hip-hop culture as a whole. He was born in Kingston, Jamaica in...» Document abstract
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3 word format
Language : english
arts and art history
research papers
date published
01/02/2008
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level : General public
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SummaryKool DJ Herc is a Jamaican American musician and producer, who is credited as a pioneer of hip-hop during the 1970s as a result of his trendsetting musical technique and influence on hip-hop culture as a whole. He was born in Kingston, Jamaica in 1955 as Clive Campbell and he immigrated to the Bronx in 1967 when he was 12 years old. He used this dichotomy of his two cultures to create a syncretism of African Diaspora with music. He mixed his native Caribbean culture with that of black American natives. This constant flux between hip-hop and dancehall reggae is in fact still seen today. While attending Alfred E. Smith High School he spent a lot of time in the weight room. That fact coupled with his height spurned the other kids to call him Hercules—and he indeed transcended the common man. Herc was the originator of break-beat deejaying, wherein the breaks of funk songs—being the most danceable part—were isolated and repeated for the purpose of all-night dance parties. His "breaks" were symbolic in a sense, for the youthful dancing audience—“b-boys” and "b-girls”—were allowed a release of tension from the gang violence that permeated their environment. Kool Herc provided them with a vehicle for freedom of expression and creativity. Furthermore, his confidence and swagger initially put his live performance above his contemporaries; however, his inability to keep up with new musical advances and commercialization was the root of his demise. In the 1980s, later DJs, such as Grandmaster Flash, refined and developed the use of break beats. Kool Herc’s input, nevertheless, has been essential for the hip-hop genre, and can be referenced in the controversy over the use of sampling in the present day.
Table of Contents
- Herc was the originator of break-beat deejaying.
- 1960s, it was uniquely 'Jamaican' to hold out-door block parties.
- Kool Herc is most known for his technical advancement.
- Herc and Bambaataa are truly known for their musical choices.
- Instead of playing drums, musicians use drum machines.
- Conclusion.
«While monumental figure erecting was hindered during the Middle Ages, illuminated manuscripts and mural paintings were given momentum as a result. Both media allowed for mass productions, many of which have lasted to this day. A fine example of a...» Document abstract
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2 pages word
Language : english
arts and art history
research papers
date published
03/01/2008
review : not yet assessed
level : General public
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SummaryWhile monumental figure erecting was hindered during the Middle Ages, illuminated manuscripts and mural paintings were given momentum as a result. Both media allowed for mass productions, many of which have lasted to this day. A fine example of a mural fresco from the Romanesque Period, originally located in a Spanish Chapel, Santa Maria de Mur, is the Christ in Majesty of the twelfth century (Kleiner and Mamiya, 350). A product of the Romanesque time period, the piece is representational of wondrous Christian icons used to persuade and consequently control entire societies.
«Communication competence is the concept or framework that defines communication as we know it. It covers the all of the bases of communication, from talking to a person individually, to specific cases where logistics and demographics come into play....» Document abstract
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3 word format
Language : english
journalism
school essay
date published
17/12/2007
review : not yet assessed
level : General public
requested 2 times
SummaryCommunication competence is the concept or framework that defines communication as we know it. It covers the all of the bases of communication, from talking to a person individually, to specific cases where logistics and demographics come into play. In order to be able to communicate over a large contextual area, such as group, interpersonal, public, mass media or intrapersonal, a person must have at least a standing knowledge of communication competence. Drawing back to the time of Plato and Aristotle, we can find instances where communication competence has drawn its rots.
These are the ten principles of communication competence that are most intertwined in our society today. These principles, if used singularly, are incredibly useful but when used together extremely potent.
These are the ten principles of communication competence that are most intertwined in our society today. These principles, if used singularly, are incredibly useful but when used together extremely potent.
«The movie 12 Angry Men systematically altered the views of the jurors by eliminating the bias, ignorance, and fallacies. Many of these men held predetermined points of view in which there minds were made up before analyzing the defendant. Through...» Document abstract
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2 word format
Language : english
film studies
case study
date published
17/12/2007
review : not yet assessed
level : Advanced
requested 1 times
SummaryThe movie 12 Angry Men systematically altered the views of the jurors by eliminating the bias, ignorance, and fallacies. Many of these men held predetermined points of view in which there minds were made up before analyzing the defendant. Through the process of reviewing factual information and determining its substance the jurors were gradually opening to what really happened. The ideal of reasonable doubt was brought to the forefront of the deliberations. Through discussions of the events that took place during the time of the murder the suspicion of the actual truth became evident to many of the jurors. As the jury analyzed the murder case the separation of closed minded jurors and critical thinkers became clear.
«Many feel that a film adaptation needs to be completely faithful to it original written format. “When viewing the film version of a novel or play they know, they want to find in the film what they valued in the literary work, without asking whether...» Document abstract
$3.95
4 word format
Language : english
film studies
school essay
date published
07/12/2007
review : not yet assessed
level : Advanced
requested 0 times
SummaryMany feel that a film adaptation needs to be completely faithful to it original written format. “When viewing the film version of a novel or play they know, they want to find in the film what they valued in the literary work, without asking whether this is the sort of thing film can do” (McFarlane 165). Often film makers have to make changes to novels in order to tell a compelling story with a medium which is completely different from literature. This said, High Fidelity’s film adaptation is as close to a completely faithful transfer from literature to screen as can be found. Sadly, this faithfulness to the novel still has its opponents.
«Films are often adapted from plays, and at times they are nearly identical. At other times they have almost nothing to do with one another. In films you can do things that are not feasible and at times not possible on stage. This is not to...» Document abstract
$1.95
2 word format
Language : english
film studies
school essay
date published
07/12/2007
review : not yet assessed
level : General public
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SummaryFilms are often adapted from plays, and at times they are nearly identical. At other times they have almost nothing to do with one another. In films you can do things that are not feasible and at times not possible on stage. This is not to suggest that the film Crimes of the Heart is in any way superior or inferior to the play, but simply, quite different. Although Beth Henley’s play and Bruce Beresford’s film, Crimes of the Heart, tell essentially the same story, Beresford’s additions of certain characters, situations, and settings cause new emotions to be felt, and other emotions to be intensified.
Although they are mentioned within the play, Old Granddaddy, Zackery, and Willie Jay never appear on stage. Each of these characters has large effects on the events that take place and the other characters within the play. Beresford decided to add these three characters to make certain thought surface that did not arise within the play.
Although they are mentioned within the play, Old Granddaddy, Zackery, and Willie Jay never appear on stage. Each of these characters has large effects on the events that take place and the other characters within the play. Beresford decided to add these three characters to make certain thought surface that did not arise within the play.
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