« There are numerous gray areas described as 'false light? .. The constant struggle between light and darkness depicted in 'Heart of Darkness?.. ...» Document abstract
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3 word format
Language : english
literature
book review
date published
18/04/2008
review : not yet assessed
level : General public
requested 0 times
SummaryThe battle between light and darkness is being waged right now, in every corner of the earth. This war has been fought since time began. In every realm of society, opposites counterbalance each other. The balance of powers in the government allows the American people to have a say in the political happenings of the country, while the balance of mass and gravity keeps Earth in orbit around the sun. A balanced diet keeps a person healthy, while a balanced scale portrays equality and justice in the world of lawmaking and law enforcement. In the realm of physics, action and reaction are required to obtain balance, proving it cannot be acquired by mere passiveness. The necessity of balance is also true of every other set of opposites. This proposal, deemed by Florence Ridley as “the balance of opposites, a core of faith versus hollowness…light versus darkness,” is inherent to the meaning of “Heart of Darkness”
Table of Contents
- The character Marlow relates his journey from two very different worlds.
- The two worlds where Marlow travels are symbols of darkness and light.
- Marlow himself can be deemed a symbol of light.
- There are numerous gray areas described as 'false light? .
- The constant struggle between light and darkness depicted in 'Heart of Darkness?.
« can be seen in Joseph Conrad's Heart of Darkness as both eyes of the spirit, the true eyes of the heart. star seems to indicate a certain lasting light or the ...» Document abstract
$3.95
4 word format
Language : english
literature
school essay
date published
02/10/2007
review : not yet assessed
level : Advanced
requested 2 times
SummaryWhen reading “The Hollow Men”, by T.S. Eliot, one’s immediate response might be to consider it against to context of which it was written. Such context may be purely historical or may revolve around the author’s social life. All of these accounts may prove significant in assessing the poem correctly or even way off, such details often vary, but what is certain is that it is difficult to find a poem or any work of art that does not give insight into the artist’s life experience.
Table of Contents
- When reading 'The Hollow Men', by T.S. Eliot, one's immediate response might be to consider it against to context of which it was written
- Like Heart of Darkness, 'The Hollow Men' is a voyage inside. In other words, to consider literature at its most effective is to relate to it so symbolically that it renders life itself of the most ingenious symbolism, unavoidable and essentially poetic
- In the same way that we may relate to the poem in two different ways, so too, the poem presupposes two kinds of men, the spiritually dead and the spiritually awake.
- Because self-realization, like Analytical Psychology's individuation process, is not one particular state but an irregular sequence of flux and dynamic, the poem can be said to flow readily towards its own core.
- In section I, the narrator speaks of those who have crossed to 'death's other Kingdom,' and in section III he wonders about the condition of this realization
- To the writer, it seems to make no difference whether we interpret this sterility to be solely psychological or social, since in essence there really is no difference when considering that life is inherently symbolic
- Section V opens with the childlike meter reminiscent of the mulberry bush, the likes of which originated at Wakefield Prison in West Yorkshire, England in a prison yard
- But what is this Shadow. First of all, I think it's important to note that the S is capitalized as is Kingdom
- Awakening is for him with the heart of darkness, the slayer of Kurtz, becoming the darkness that slips away from between the cracks of things.
« in civilization is best seen in literature through Joseph Conrad's Heart of Darkness. Montaigne also presented man in a positive light in his essay "Of ...» Document abstract
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3 word format
Language : english
social sciences
school essay
date published
03/10/2007
review : not yet assessed
level : General public
requested 4 times
SummaryAn illusion has the ability to distort the perception about reality. It can be used as a way to disguise something from its true nature. In his work The Future of an Illusion, Sigmund Freud offers an analysis on illusions. He suggests that an illusion is different than an error, because an illusion does not necessarily have to be false. Illusions are “derived from human wishes,” in that they blind us to reality and make us see and believe only in what we want. The greatest illusion of all is that of civilization. Civilization is an illusion to the true nature of man, a type of makeup that masks the nature of man to let him be part of a successful society.
Table of Contents
- An illusion has the ability to distort the perception about reality. It can be used as a way to disguise something from its true nature
- In today's societies, it is very uncommon to see man is his natural state; a state that would have existed before the beginning of civilizations
- A contrasting view of human nature can be seen in the writings of the philosophers John Locke and Michel de Montaigne
- Despite the differing views on human nature presented by writers throughout the centuries, it is agreed that man is no longer in his original state
- Freud terms these illusions satisfactions, in that they have the ability to produce the feeling of fulfillment for the masses
- The illusion created by religion is best used by the rulers of civilizations to govern their lands.
- The use of illusion in civilization is best seen in literature through Joseph Conrad's Heart of Darkness
- Unlike illusions used by magicians, where we know that we are being tricked, the illusion provided by civilization is one that tricks us all without us being any the wiser.
- The ruler is able to maintain control of his society, while each member lives with the satisfaction of the belief that he is as wealthy as his neighbor, and possibly wealthier
« In Joseph Conrad's book Heart of Darkness, Kurtz proclaims in his For this reason, we need the "prophetic voices" of writers to shed light on the situation. ...» Document abstract
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3 word format
Language : english
literature
school essay
date published
08/10/2007
review : not yet assessed
level : General public
requested 0 times
SummaryWhen Steven King releases a new novel it is bound to be one of the scariest works of literature around. King’s books, filled with images of deformed dolls and haunted houses, strike fear in the hearts of his readers. King’s writing appeals to our senses, torturing and manipulating them to create a sense of fear. We are horrified immediately following the reading of a scary line, but that sensation only last for a minute until we are brought back to reality. We know that what we just read is not about to happen and is completely fiction so we get on with our lives. While the “high” we get from this sensual fear alters our senses, it is the horror of reality that strikes true fear into people. Most of the time we can clearly see this horror, but the true horror comes when a nightmare exist right in front of our eyes, yet we are blinded to it until someone comes along and reveals it to us. These prophetic voices, like writers such as William Blake and Mary Shelly, open our eyes to the horrors of reality, but they do so in a subtle way. In neither of their writings do these authors expressly condemn certain aspects of society, but rather make these horrors known, leaving it up to the reader to make their own decisions. Through the readings of Frankenstein and the “Songs of Innocence and Experience”, the reader must “bring in their own sense” in order to begin to see the horrors that are hidden from most of society.
Table of Contents
- When Steven King releases a new novel it is bound to be one of the scariest works of literature around. King's books, filled with images of deformed dolls and haunted houses, strike fear in the hearts of his readers.
- In Joseph Conrad's book Heart of Darkness, Kurtz proclaims in his last breath, 'The horror, the horror!?
- In contrast to Blake, Mary Shelly's writing does not attempt to portray the ills of society, but rather focuses on the relationship between science and nature.
- The interesting aspect of both author's writings is that neither explicitly voices their opinions on certain subjects.
- The interesting aspect of both author's writings is that neither explicitly voices their opinions on certain subjects.
- When Frankenstein, at the end of the novel, is taken in by Walton onto his ship, he continues his lament of his creation.
- After reading these works, we are now equipped with the knowledge of such horrors which can be a double-edged sword.
« children to come across them and know her heart-broken secret of shadow in an endless darkness and this darkness would curl around the light and swallow ...» Document abstract
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3 word format
Language : english
literature
summaries
date published
27/08/2007
review : not yet assessed
level : Expert
requested 4 times
SummaryThroughout “The Jilting of Granny Weatherall,” Katherine Anne Porter makes Granny sound like she has not done poorly for herself. In reading the first couple of paragraphs of the short story, Porter makes it known that Granny doesn’t have it easy. Life is hard on her. On the surface, there is a woman who thinks that she hasn’t done so terribly for herself considering the hardships in her life, but there is definitely more underneath. Looking more into the Granny’s life, the truth emerges from below the top layers. Porter uses events like jilting at the altar, the early death of her husband, the death of Hapsy, and getting no sign from God on her deathbed to show the disappointments in her life.
Table of Contents
- George is a heavy topic in Granny's life that she has hidden from her family
- Life 'had been a hard pull, but not too much for her' as she thinks, but is that the truth (K. Porter)?
- The one thing that truly upsets Granny the most is Hapsy, the one that could not be saved
- As her other children enter the room, Granny finally realize that this is her death, the end of her life as she knows it.
- Reflecting on all the displeasures throughout Granny's life
« Some other images are clearly significant such as: "my heart misgave me" (l 8 l 74), "silence" (l 76), "gloomy" (l 93), "darkness" (l 132), "the light was out ...» Document abstract
$7.95
8 word format
Language : english
literature
book review
date published
08/03/2007
review : not yet assessed
level : Advanced
requested 43 times
SummaryThis short story was written by James Joyce who lived from 1882 to 1941; it is an extract from Dubliners, published in 1914. The book is compound with several short stories which take place in Dublin, and deal with the monotone life of some citizens. The text is entitled "Araby" and tells the story of the unrequited love of a young boy trapped in his everyday life. The events are presented through the voice of an anonymous narrator and reveal his difficulty to escape from the routine and his prosaic life. The author tackles many themes and symbols which allow the reader to enter a dark world surrounded by frustration, sadness and reality.
Table of Contents
- A homodiegetic narrator
- The short story is compound with passages of descriptions, narrations and some dialogues, and can be divided in three parts
- The author's style
- The time
- The location
- Joyce uses many rhetoric devices throughout this text, which confers a poetic tone to the story but also contrasts with the theme of reality
- The themes of adventure and romanticism
- Dream sullied by reality
- The narrator as a romantic hero, opposed to the lexical field of everyday life
« of this once dominant ethic are of opposing polarity; light / darkness, heaven / hell with madness, and blindness, and astonishment of the heart."^ Putting such ...» Document abstract
$9.95
10 word format
Language : english
psychology
presentation
date published
20/04/2007
review : not yet assessed
level : Expert
requested 5 times
SummaryTaxonomical terms like depression, schizophrenia, neurosis, and psychosis, among many others, are today wielded with ease by doctors and are readily accepted by patients. While they are thought to be scientifically objective qualifications, a crucial examination of the social context of their use demonstrates something altogether different.
Table of Contents
- The behavior of persons whose conduct differs from that of their fellows
- Before the coming of the "psychological age,"
- When ‘Disease' Became Equated with Sin
- The Leper, the Church and Society
- The Heretic
- The Temptation of St. Anthony
- Concluding Remarks
- Holders of a Supposed Universal Truth
« Heaney's life, and then discusses the very heart and soul tells him how to go about writing: `Compose in darkness. in the long foray but no cascade of light. ...» Document abstract
$7.95
8 word format
Language : english
literature
term papers
date published
11/12/2007
review : not yet assessed
level : Advanced
requested 0 times
SummaryIn 1975, Seamus Heaney came out with his fourth book of poetry, North. Although the third volume, “Wintering Out” foreshadows many of the same themes, it is North, according to several critics that develops these themes, and establishes a turning point in Heaney’s poetry. According to Anthony Thwaite, journalist for the Time Literary Supplement in 1975, the book is not only “mature” but “noble” as well.
« a brutish display of force and a cold hard heart, as required to kill As she fires, a bullet knocks open a window and light pours in, dispelling the darkness. ...» Document abstract
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5 word format
Language : english
arts and art history
presentation
date published
09/02/2008
review : not yet assessed
level : General public
requested 0 times
SummaryJonathan Demme's 1991 film The Silence of the Lambs centers on a young FBI trainee’s attempts to catch a deranged serial killer before he kills again. Clarice Starling is a young woman determined to rise through the ranks of the male FBI. Already at a social disadvantage due to her sex, she must push against the glass ceiling while simultaneously searching for an elusive serial killer who steals the skin of his victims. Jame Gumb, the serial killer Buffalo Bill, is a sexually confused male who appropriates the skins of women so that he can wear them, in essence becoming a woman. Not surprisingly given these thematics, the film brings gender roles heavily into question. In order for Clarice to be taken seriously as an FBI agent, and for that matter to catch Gumb, she must exude masculine professionalism and toughness. This creates a degree of confusion within the male gaze. It is usual for the woman in film to be the object of the male spectator’s gaze: it is also standard for men to identify with a male protagonist. But in this film the audience is given neither a solid male role to identify with nor a solid female role to gaze at. What we are presented with instead are two theoretical transvestites, and a consequent confusion of whom the subject is and who is the object of the film. By the end of the film, Jame Gumb and Clarice Starling have both been sexually inverted, and the audience identifies with the female-turned-male role of Clarice over the male-turned-female role of Gumb. The true confusion lies within the character of Jame Gumb and his own literal grapple with sexuality.
Table of Contents
- The first thing the audience sees of the elusive Buffalo Bill killer is his eyes.
- In a typical slasher film, scenes of the actual act of murders are represented.
- The opening credits of the film feature Clarice Starling running an obstacle course at the FBI training center.
- In the course of the film, Clarice Starling's sexual identity is not only concealed.
- It is also a shared masculinity, materialized in ‘all those phallic symbols?.
« even he will eventually fall prey to his own darkness. is he to thoughts of females in a sexual light. the other boys and causes Stephen's heart "slowly to ...» Document abstract
$9.95
10 word format
Language : english
social sciences
term papers
date published
19/10/2007
review : not yet assessed
level : Advanced
requested 4 times
Summary(King James Bible, Psalms 34:1)
With patriarchal systems prevalent in most societies, masculinity is often exalted as a source of universal power. Critics, often focused on the issues of political correctness and moral integrity in such sexist assumptions, never object to the actual existence of beliefs in male dominance. But the strength of men born into these earthly patriarchies is meaningless before God, reduced to the weakness inherent to any subordinate group. Just as Eve was formed of Adam’s rib, so did “the Lord God [form] man of the dust of the ground, and [breathe] into his nostrils the breath of life; and man became a living soul” (King James Bible, Gen. 2.7). Men are entitled to the control of the carnal bodies of women but are not themselves in control of their eternal souls. Women, taught to follow since birth, fulfill their Christian roles naturally; Mary is idealized throughout the religion for her acquiescence and the literal contentment she feels when obeying the formative power of God (Podles 36). However, men can only be forced into obedience, feminized by their forfeiture of leadership and autonomy. They can only be controlled through fear.
With patriarchal systems prevalent in most societies, masculinity is often exalted as a source of universal power. Critics, often focused on the issues of political correctness and moral integrity in such sexist assumptions, never object to the actual existence of beliefs in male dominance. But the strength of men born into these earthly patriarchies is meaningless before God, reduced to the weakness inherent to any subordinate group. Just as Eve was formed of Adam’s rib, so did “the Lord God [form] man of the dust of the ground, and [breathe] into his nostrils the breath of life; and man became a living soul” (King James Bible, Gen. 2.7). Men are entitled to the control of the carnal bodies of women but are not themselves in control of their eternal souls. Women, taught to follow since birth, fulfill their Christian roles naturally; Mary is idealized throughout the religion for her acquiescence and the literal contentment she feels when obeying the formative power of God (Podles 36). However, men can only be forced into obedience, feminized by their forfeiture of leadership and autonomy. They can only be controlled through fear.
Table of Contents
- With patriarchal systems prevalent in most societies, masculinity is often exalted as a source of universal power.
- Men fear sin because as sinners they relinquish their rights to Heaven.
- This Christian conviction that sin resides within the innate savageness, inseparable from the defining characteristics of masculinity, is best proven by the popularity of missionaries during the years of British Colonization.
- Missionaries took quite seriously the calling of Jesus Christ to spread the teachings of the Lord, but this brash goal for universal Christianity
- Based on conversation and action alone, Othello appears as Venetian as the other characters.
- The authority of his family is replaced with the authority of his teachers.
- A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like on whom magic had changed into the likeness of a strange and beautiful seabird.
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