«The film “kids” is a raw account of an urban adolescence focusing on experimentation with sex, drugs, liquor, and violence. The account examines these issues at their absolute worst. One of the issues that the film focuses on is adolescent...» Document abstract
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3 word format
Language : english
film studies
presentation
date published
21/04/2008
review : not yet assessed
level : General public
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SummaryThe film “kids” is a raw account of an urban adolescence focusing on experimentation with sex, drugs, liquor, and violence. The account examines these issues at their absolute worst. One of the issues that the film focuses on is adolescent sexuality. The opening scene depicts a thirteen year old girl losing her virginity to a sixteen year old boy, without any protection or any significant relationship. Adolescent sexuality is a truth that society has a tendency to avoid. Many questions arise in regards to adolescent sexuality. The question of sexual education stimulates an opinionated debate of whether abstinence should be promoted or whether an education on safe sexual practices should be utilized.
«Throughout history, both theatrical and otherwise, there are figures that stand out prominently in the collective memory. There are the giants, those triumphant individuals whose work has made an indelible impression on society. And then there are...» Document abstract
$3.95
4 word format
Language : english
film studies
presentation
date published
18/04/2008
review : not yet assessed
level : General public
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SummaryThroughout history, both theatrical and otherwise, there are figures that stand out prominently in the collective memory. There are the giants, those triumphant individuals whose work has made an indelible impression on society. And then there are those who stand behind the giants, their teachers, their inspiration. Often disregarded and ignored, these people gave life to the ideas their successors then expanded upon and organized. There are many such examples of this kind of a relationship, but one of the most classic examples is that of Bertolt Brecht and Erwin Piscator. Those who are familiar with theatrical theory and history recognize Brecht as the creator and theorist of epic theatre. Most people do not recognize the name of Erwin Piscator at all. However, Piscator was in fact the man who originated the idea of epic/political/documentary theatre
«Henrik Ibsen’s A Doll House is a play about a woman who comes to understand that she doesn’t necessarily understand anything at all. Or, more specific to Ibsen’s plot, it is a play about a woman who is forced to reveal a very precious secret and in...» Document abstract
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9 word format
Language : english
film studies
presentation
date published
14/04/2008
review : not yet assessed
level : Advanced
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SummaryHenrik Ibsen’s A Doll House is a play about a woman who comes to understand that she doesn’t necessarily understand anything at all. Or, more specific to Ibsen’s plot, it is a play about a woman who is forced to reveal a very precious secret and in doing so discovers that the life she is leading is not necessarily the life she wants and/or needs. Upon first glance, the play seems to be some sort of blackmail caper, where the action all centers around the question of how the protagonist is going to escape the horribly illegal situation in which she has found herself.
Spiders or Virgins: Portrayals of Women in the Noir Films Laura, Out of the Past, and Double Indemnity
«In her article “Women in Film Noir” Janey Place states that women characters in noir films are divided into two archetypes: “the spider woman, the evil seductress who tempts man and brings about his destruction” and “the virgin, the mother, the...» Document abstract
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7 word format
Language : english
film studies
summaries
date published
11/04/2008
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level : General public
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SummaryIn her article “Women in Film Noir” Janey Place states that women characters in noir films are divided into two archetypes: “the spider woman, the evil seductress who tempts man and brings about his destruction” and “the virgin, the mother, the innocent, the redeemer.” This essay will examine and interpret the construction of three female characters in three noir films in terms of the visual motifs used in the presentation of the characters’ actions and dialogue. The characters examined will be Laura (Gene Tierney) in the film Laura (1944), Phyllis Dietrichson (Barbara Stanwyck) in the film Double Indemnity (1944), and Kathie Moffat (Jane Greer) in the film Out of the Past (1947). Does Place’s judgment hold true for these three characters? Can these characters be divided into two archetypes? This essay will show that Laura, Phyllis, and Kathie embody at times both of Place’s archetypes—each character changes from innocent virgin to spider woman. And it will be shown how these characterizations are achieved using cinematic techniques. Laura, however, is the only character of the three films to change back to innocent virgin by the end of the narrative.
«Ever since the creation of the first motion picture, there have been numerous debates over the “effectiveness” of a vast multitude of movies. The term effectiveness is a very broad expression and can be used to cover a huge variety of areas. On a...» Document abstract
$3.95
4 word format
Language : english
film studies
presentation
date published
18/02/2008
review : not yet assessed
level : General public
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SummaryEver since the creation of the first motion picture, there have been numerous debates over the “effectiveness” of a vast multitude of movies. The term effectiveness is a very broad expression and can be used to cover a huge variety of areas. On a generic basis, did it make the viewer exert a certain emotion, laughter or tears; did it outrage the viewer; did it leave you thinking? Each of the above questions can be used to rank the effectiveness of any given movie. There are movies, however, that when viewed can evoke every possible emotion, outrage and teach you valuable lessons at the same time, and all around leave a lasting impression in the minds of those watching with both negative and positive connotations. In my generation, Larry Clark is a director that is renowned for creating such films. In his 1995 eye-opener, “KIDS”, Clark directs a movie that is the best example of this phenomenon I have seen. “KIDS” is a movie that has the capability of making you cry, laugh, become extremely angry, grow curious, etc. The fact that this movie was an effective one goes without question. It is a movie that after watching it for the first time is capable of lingering under your skin for a long time. The real question is what kind of effect does the movie actually have after it is viewed.
«The movie 12 Angry Men systematically altered the views of the jurors by eliminating the bias, ignorance, and fallacies. Many of these men held predetermined points of view in which there minds were made up before analyzing the defendant. Through...» Document abstract
$1.95
2 word format
Language : english
film studies
case study
date published
17/12/2007
review : not yet assessed
level : Advanced
requested 1 times
SummaryThe movie 12 Angry Men systematically altered the views of the jurors by eliminating the bias, ignorance, and fallacies. Many of these men held predetermined points of view in which there minds were made up before analyzing the defendant. Through the process of reviewing factual information and determining its substance the jurors were gradually opening to what really happened. The ideal of reasonable doubt was brought to the forefront of the deliberations. Through discussions of the events that took place during the time of the murder the suspicion of the actual truth became evident to many of the jurors. As the jury analyzed the murder case the separation of closed minded jurors and critical thinkers became clear.
«Many feel that a film adaptation needs to be completely faithful to it original written format. “When viewing the film version of a novel or play they know, they want to find in the film what they valued in the literary work, without asking whether...» Document abstract
$3.95
4 word format
Language : english
film studies
school essay
date published
07/12/2007
review : not yet assessed
level : Advanced
requested 0 times
SummaryMany feel that a film adaptation needs to be completely faithful to it original written format. “When viewing the film version of a novel or play they know, they want to find in the film what they valued in the literary work, without asking whether this is the sort of thing film can do” (McFarlane 165). Often film makers have to make changes to novels in order to tell a compelling story with a medium which is completely different from literature. This said, High Fidelity’s film adaptation is as close to a completely faithful transfer from literature to screen as can be found. Sadly, this faithfulness to the novel still has its opponents.
«Films are often adapted from plays, and at times they are nearly identical. At other times they have almost nothing to do with one another. In films you can do things that are not feasible and at times not possible on stage. This is not to...» Document abstract
$1.95
2 word format
Language : english
film studies
school essay
date published
07/12/2007
review : not yet assessed
level : General public
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SummaryFilms are often adapted from plays, and at times they are nearly identical. At other times they have almost nothing to do with one another. In films you can do things that are not feasible and at times not possible on stage. This is not to suggest that the film Crimes of the Heart is in any way superior or inferior to the play, but simply, quite different. Although Beth Henley’s play and Bruce Beresford’s film, Crimes of the Heart, tell essentially the same story, Beresford’s additions of certain characters, situations, and settings cause new emotions to be felt, and other emotions to be intensified.
Although they are mentioned within the play, Old Granddaddy, Zackery, and Willie Jay never appear on stage. Each of these characters has large effects on the events that take place and the other characters within the play. Beresford decided to add these three characters to make certain thought surface that did not arise within the play.
Although they are mentioned within the play, Old Granddaddy, Zackery, and Willie Jay never appear on stage. Each of these characters has large effects on the events that take place and the other characters within the play. Beresford decided to add these three characters to make certain thought surface that did not arise within the play.
«In 1997, a product was released that would do what nothing (not Betamax, Laserdisc, nor various projector systems) seemed to be capable of: conquering the VCR/VHS system. This product was the DVD (Digital Video or Digital Versatile Disc). As soon...» Document abstract
$2.95
3 word format
Language : english
film studies
research papers
date published
07/12/2007
review : not yet assessed
level : General public
requested 0 times
SummaryIn 1997, a product was released that would do what nothing (not Betamax, Laserdisc, nor various projector systems) seemed to be capable of: conquering the VCR/VHS system. This product was the DVD (Digital Video or Digital Versatile Disc). As soon as it hit stores in the United States, it was bought at unpredictable rates and with its superior visual and audio capabilities, it soon after replaced VHS as the leading medium for home movie viewing. The DVD was popular from its start, but certain changes in production and development made it even more profitable. The invention and distribution of the DVD created a large influx of money to the media business, largely due to the selling of various re-releases and special editions, especially the Criterion Collection, which gained popularity by offering many updated special features (which DVD buyers completely demand today) such as extra footage, “making-of” specials, and audio commentaries.
«Tony Kuschner’s play Angel in America is full of contrasts, disparities, and opposite views. Many things are shown at completely opposite ends of the spectrum. There are many differing opinions and complete disagreements that not a large number of...» Document abstract
$1.95
2 word format
Language : english
film studies
school essay
date published
07/12/2007
review : not yet assessed
level : General public
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SummaryTony Kuschner’s play Angel in America is full of contrasts, disparities, and opposite views. Many things are shown at completely opposite ends of the spectrum. There are many differing opinions and complete disagreements that not a large number of things that are constant and similar in the film. However, there is a constant theme which is consistent in almost every character, the feeling of disappointment. Whether it is due to the position they are in, their profession, their religion, or any number of other factors, there are expectations of the characters in this play. There are expectations from other characters within the play as well as expectations from the audience. Each and every character fails to meet what is expected of them.
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