Magic Realism in Photography
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document in English
arts and art history
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published 13/05/2008
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SummaryPresent-day, the meaning of the term magic realism varies depending on the art form being described. Its meaning has altered over the past century and yet maintains aspects of its original use. The term was first in a title role with visual arts critic Franz Roh’s book published 1925 Nach Expressismus: Magicher Realismus: Probleme der neusten europaischen Malerei (“After Expressionism: Magical Realism: Problems of the newest European painting”). Roh’s magic realism was meant to emphasize that “the autonomy of the objective world around us was once more to be enjoyed; the wonder of matter that could crystallize into objects was to be seen anew” (Roh).
Table of Contents
- Roh's version of magic realism was in line with some of Gustav Friedrich Hartlaub's ideas on Neue Sachlichkeit.
- Because of the medium's ability to render reality so precisely, the sense of the fantastic must be constructed in spite of the detail.
- In 1948, when Wyeth painted his neighbor afflicted with polio in Christina's World.
- Although it is endlessly possible to change appear of situational reality in a studio setting, I never shoot in a studio.
- I pick only one non-technical element to control in the photograph: it is the position of or gesture of an object or of a subject.
- One critic of Wyeth's representational work claimed that it is 'formulaic stuff not very effective even as illustrational ‘realism.?'
- It is very difficult to apply the term magic realism to photography of any kind.
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