«Often times, there is a distinct line between fact and fiction – between history and mythology, and even religion. However, in many of China’s classic novels this line is blurred to the point of non-existence. A perfect example of this is Wu...» Document abstract
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21/04/2008
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SummaryOften times, there is a distinct line between fact and fiction – between history and mythology, and even religion. However, in many of China’s classic novels this line is blurred to the point of non-existence. A perfect example of this is Wu Cheng’en’s The Journey to the West. Wu Cheng’en combined elements of Chinese history and mythology with aspects of the three traditional Chinese religions (Buddhism, Taoism and Confucianism) to create a story based on the historical figure Hsüan-tsang and the mythological figure Sun Wu’kung (also known simply as Monkey.)
key words- Hsüan-tsang, Buddhist demonology, Jade Emperor, Chinese Buddhism and Siddhārtha Gautama
key words- Hsüan-tsang, Buddhist demonology, Jade Emperor, Chinese Buddhism and Siddhārtha Gautama
Table of Contents
- Wu'kung explains to Hsüan-tsang that he has a religious name.
- After considering the historical context one must examine the supernatural aspects of the novel.
- The birth of Sun Wu'kung is no the only thing mythological.
- There are various other mythological figures that appear in the book.
- Much of the religious context of The Journey to the West is very straightforward.
- Religion has a strong presence in The Journey to the West.
«Adventures in the middle of the night were something I was always very fond of. For the most part they never seemed to get me into much trouble; I just coveted the feeling of being able to sneak out of my house without getting caught. For a...» Document abstract
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school essay
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SummaryAdventures in the middle of the night were something I was always very fond of. For the most part they never seemed to get me into much trouble; I just coveted the feeling of being able to sneak out of my house without getting caught. For a fifteen-year-old, it was definitely a thrilling feeling. Once I escaped the thresholds of my house, I would take off running as if I had just robbed a bank, in case my mother had heaved from her bed. Not once did she catch me. I never did anything too extraordinarily rebellious when I secretly left my house. Most of the times I would just take a walk, go to the store, or meet up with some friends who were doing the same thing as I.
«Whether it is read from an historical, psychological, literary, or any other sort of applicable perspective, the reader must admit that Toni Morrison’s novel Sula allows itself be read in many different ways. Perhaps that is one of the beauties of...» Document abstract
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book review
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SummaryWhether it is read from an historical, psychological, literary, or any other sort of applicable perspective, the reader must admit that Toni Morrison’s novel Sula allows itself be read in many different ways. Perhaps that is one of the beauties of the book: people from many different backgrounds can find things profoundly interesting in this story focusing on young African-America girls in northern America following World War One. I agree with this, but also believe that there is a perspective that outweighs others in both insight and clarification of the novel’s motifs and symbols. That is the psychoanalytical perspective, and it is specifically the work of Jacques Lacan on the “Mirror Stage” that lends itself particularly well to this fictional work.
Table of Contents
- Lacan's essay deals with a human child's situation of his or her Self in reality.
- Toni Morrison's primary interest in Sula is also with identification and its formation.
- Shadrack next finds himself in a mental hospital.
- When analyzed by Lacan, an allegory presents itself through Shadrack.
«Greece: City-States in Conflict
The Peloponnesian War was waged mostly between Sparta and Athens, although both had outside allies. After Sparta defeated Athens, the balance of power should have shifted to leave Sparta in the role of...» Document abstract
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SummaryGreece: City-States in Conflict
The Peloponnesian War was waged mostly between Sparta and Athens, although both had outside allies. After Sparta defeated Athens, the balance of power should have shifted to leave Sparta in the role of empire-builder, but the Spartans were unable to unify the Greek city-states. This failure can be attributed to a number of reasons.
key words- Thebians, Rome: Opportunity for Empire, Roman rule, The End of Rome, Lucius Cornelius Sulla .
The Peloponnesian War was waged mostly between Sparta and Athens, although both had outside allies. After Sparta defeated Athens, the balance of power should have shifted to leave Sparta in the role of empire-builder, but the Spartans were unable to unify the Greek city-states. This failure can be attributed to a number of reasons.
key words- Thebians, Rome: Opportunity for Empire, Roman rule, The End of Rome, Lucius Cornelius Sulla .
Table of Contents
- The Peloponnesian War had decimated the Spartan equals; at its end, there were less than 3,000 men who were considered equals.
- Athens was no more successful than Sparta, but it had its own problems.
- One of the advantages Rome had was the strength of its army.
- Although conquered cities were usually treated well, Rome did place demands on the defeated.
- The Roman republic ended due to a storm of conflicts within itself.
- The Pax Romana and Religion.
- Christianity faced harsh persecution in the first centuries A.D.
«The Platonic idealist is the man who by
nature so wedded to perfection that
he sees in everything not the reality
but the faultless ideal which the
reality misses…”
- George Santayana (1)
Art is subject to interpretation. Each and every...» Document abstract
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humanities/philosophy
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SummaryThe Platonic idealist is the man who by
nature so wedded to perfection that
he sees in everything not the reality
but the faultless ideal which the
reality misses…”
- George Santayana (1)
Art is subject to interpretation. Each and every work of art, from theatre, to music to literature, to painting, to statues, can be manipulated by the observer to strike some chord within them; be it positive, negative, or merely just a neutral sense of recognition.
For the purpose of this paper the artwork subject to interpretation are two ancient Greek statues: Zeus throwing a (missing) thunderbolt, cast in bronze, and a marble sculpture of Hermes with the infant Dionysus.
key words-Dionysus, Zeus, Hermes and Greeks
nature so wedded to perfection that
he sees in everything not the reality
but the faultless ideal which the
reality misses…”
- George Santayana (1)
Art is subject to interpretation. Each and every work of art, from theatre, to music to literature, to painting, to statues, can be manipulated by the observer to strike some chord within them; be it positive, negative, or merely just a neutral sense of recognition.
For the purpose of this paper the artwork subject to interpretation are two ancient Greek statues: Zeus throwing a (missing) thunderbolt, cast in bronze, and a marble sculpture of Hermes with the infant Dionysus.
key words-Dionysus, Zeus, Hermes and Greeks
Table of Contents
- For the purpose of this paper the artwork subject to interpretation are two ancient Greek statues.
- Plato strongly believed that children played a crucial role in society.
- Plato believed that ant sort of artistic rendering that depicted the gods was inherently false.
- Plato believed that the battles of the gods shouldn't be revealed to children.
- According to Plato, the role of art in the education of the young should be to instill within them the virtue of temperance.
«Nothing so aggravates an earnest person as a passive resistance,” concludes the lawyer in Melville’s “Bartleby the Scrivener” (Arp and Johnson 589). This statement rings true, as any reader of the enigmatic short story will find himself or herself...» Document abstract
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SummaryNothing so aggravates an earnest person as a passive resistance,” concludes the lawyer in Melville’s “Bartleby the Scrivener” (Arp and Johnson 589). This statement rings true, as any reader of the enigmatic short story will find himself or herself equally aggravated by the strange characteristics of Bartleby, the extra copyist. Herman Melville has baffled literary critics for decades with this short story; countless different theories have been suggested to explain his purpose for such an ambiguous character. These theories even include a variegated list of other authors on which Melville based the inscrutable character, including Edgar Allan Poe and Nathaniel Hawthorne (McCall 14). However, none of these theories are as easily argued as one theory in particular. The characteristics of Bartleby make him a literary Christ-figure.
Key Words- Jesus, prophet Isaiah , Son of God
Key Words- Jesus, prophet Isaiah , Son of God
Table of Contents
- As a Christ-figure, Bartleby can be described as mild, passive, or perhaps 'the least of all mankind.?
- In addition, Isaiah 53 has much to say about the character of our Savior Jesus Christ.
- Bartleby seems to have been sent to cause some change in the narrator's life.
- Correspondingly, Bartleby can also be seen as a Christ-figure.
- Melville puts an emphasis on the 'waning authority' of his Christian upbringing.
- The characteristics of Bartleby make him a literary Christ-figure.
«If you lived in Athens, Greece around the time when the great poet Homer lived, you probably would be acquainted with the many Greek gods. Homer’s written compilation of the epic poems The Iliad and The Odyssey, which were formerly only told through...» Document abstract
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linguistics
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date published
18/04/2008
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SummaryIf you lived in Athens, Greece around the time when the great poet Homer lived, you probably would be acquainted with the many Greek gods. Homer’s written compilation of the epic poems The Iliad and The Odyssey, which were formerly only told through oral tradition, would be easy for you to understand. In fact, you would know all about the pantheon of gods Homer wrote about from Athena to Zeus. However, Homer did not conceive the “most unpleasant” of the “scandalous features” of the gods, which were probably passed down from the most primitive times of Greek culture (Earp 45). In most of western culture, however, polytheism has dwindled, and the idea of one, all-powerful God is becoming prevalent in religions such as Islam and Christianity. However, the characteristics of Greek gods still present a fascinating question: Why are they so different from the idea of God today?
Table of Contents
- The Greek gods exhibited emotions of human weakness as are illustrated by Thetis' anxiety for her son Achilles.
- The Greek gods often displayed unwarranted, violent emotions.
- the Greek gods displayed petty emotions which are illustrated by chronic dissatisfaction and annoyance.
- Contrary to the typical omniscience of divinity, the Greek gods of The Iliad have many secrets.
- Much can be said about the many vices the gods have, which at times considerably outweigh their virtues.
- The Greek gods of the Iliad and the Odyssey had more human characteristics than they had traditional divine characteristics.
«The battle between light and darkness is being waged right now, in every corner of the earth. This war has been fought since time began. In every realm of society, opposites counterbalance each other. The balance of powers in the government allows...» Document abstract
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book review
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SummaryThe battle between light and darkness is being waged right now, in every corner of the earth. This war has been fought since time began. In every realm of society, opposites counterbalance each other. The balance of powers in the government allows the American people to have a say in the political happenings of the country, while the balance of mass and gravity keeps Earth in orbit around the sun. A balanced diet keeps a person healthy, while a balanced scale portrays equality and justice in the world of lawmaking and law enforcement. In the realm of physics, action and reaction are required to obtain balance, proving it cannot be acquired by mere passiveness. The necessity of balance is also true of every other set of opposites. This proposal, deemed by Florence Ridley as “the balance of opposites, a core of faith versus hollowness…light versus darkness,” is inherent to the meaning of “Heart of Darkness”
Table of Contents
- The character Marlow relates his journey from two very different worlds.
- The two worlds where Marlow travels are symbols of darkness and light.
- Marlow himself can be deemed a symbol of light.
- There are numerous gray areas described as 'false light? .
- The constant struggle between light and darkness depicted in 'Heart of Darkness?.
«In the story of “The Open Boat”, Stephen Crane has taken the time to masterfully portray a story that is so very dear to his life. Back in 1897, Crane went through the horrific experience of crashing his boat and being stranded for nearly 30 hours....» Document abstract
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book review
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SummaryIn the story of “The Open Boat”, Stephen Crane has taken the time to masterfully portray a story that is so very dear to his life. Back in 1897, Crane went through the horrific experience of crashing his boat and being stranded for nearly 30 hours. This experience became so near and dear to his heart that he wrote three stories that made up different parts of his journey. The first story he wrote was documented in his own writing of “Stephen Cranes Own Story”. His second piece of literary work came in “The Open Boat” and the third and final piece was called “Flanagan and His Short Filibusting Adventure”. The most important story is “The Open Boat” simply because of its historical factuality and the themes behind the story.
Table of Contents
- Crane does an excellent job at using nature to communicate themes.
- Crane introduces a theme that most times takes places when more than one person experiences a hardship together.
- In the end, Crane brings out a simple theme but is often very applicable to life.
- Crane has created a beautiful masterpiece that is well written and gets the point across through an excellent story.
«Martin Luther King Jr. and Malcolm X personify the argument regarding protest within the Civil rights Movement. The two charismatic leaders wanted civil and economic progress for the African-American community, and their differing perspectives on...» Document abstract
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humanities/philosophy
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18/04/2008
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SummaryMartin Luther King Jr. and Malcolm X personify the argument regarding protest within the Civil rights Movement. The two charismatic leaders wanted civil and economic progress for the African-American community, and their differing perspectives on American society in the 1960s form the basis of their respective strategies they would enact in an attempt to combat “the same evil-racism-for the same goal-freedom for African-Americans”. (Cone 2) However, both leaders would change course during the 1960s, particularly near their assassinations. James Cone, professor of Theology at Union Theological Seminary and author of Martin & Malcolm & America: A Dream or a Nightmare, in the aforesaid text highlights the transformation the title figures undergo during their lives and careers. Despite the fact that the goals, methods, and reasonable expectations surrounding the careers of Martin Luther King Jr. and Malcolm X were initially in contrast, a number of factors contributed to the eventual fusion of ideologies between the two civil rights leaders.
Table of Contents
- King was young, well-educated.
- Before the civil rights movement of the fifties and sixties, there had been numerous noteworthy personalities.
- King and Douglass are similar in the sense that they were both pioneers.
- The American media has a long history of being in bed with the federal government and corporate America.
- The American media had successfully pitted Martin King and Malcolm X against each other.
- On May 21, 1964, Malcolm X returned to the United States after making his Hajj.
- Even after King accomplished major political feats his ideology shifted toward Malcolm's around 1966.
- Martin Luther King Jr. was an idealist.
- African-Americans have gained prominence through the widespread adoption of urban culture.
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