Règlement de comptes de Fritz Lang, 1953
Date de publication :
21/03/2009
Langue :
Anglais
Format :
.doc
Nombre de pages :
4 pages
Sommaire :
Sommaire
- Opening scene: getting the viewer involved
- Dave Bannion, the metamorphose
- Bertha Duncan and Debby Marsh
Résumé :
The Big Heat is a film I had seen in one of my high school English classes and found it quite interesting without deepening my analysis of it. I rediscovered it last year, paying more attention to details in the film, to their meaning and to the true meaning of the story. Doing that, I discovered a new way of watching films: more intelligent, more attentive, to sum up: more interesting. What I knew about cinema was roughly what most people know, for example thinking that "Film noir" was actually a black and white movie... (Joke). I want this essay to be about the film that opened my eyes.
The film starts with a giant close-up on a .38 gun lying on a desk. The camera stays still and we see a man's hand grabbing the weapon and disappearing with it from the screen. Then, a single sudden "Bang" makes us understand that the man committed suicide and we get a shocking confirmation when the dead body bursts into the screen falling forward on the desk. A quite surprising introduction for the viewer who was just warming up on his seat...
The film starts with a giant close-up on a .38 gun lying on a desk. The camera stays still and we see a man's hand grabbing the weapon and disappearing with it from the screen. Then, a single sudden "Bang" makes us understand that the man committed suicide and we get a shocking confirmation when the dead body bursts into the screen falling forward on the desk. A quite surprising introduction for the viewer who was just warming up on his seat...
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